
These two torsos are from the same sketching session at the Metropolitan Museum of Art. Both were done using 2B mechanical pencil lead in a .5mm Pilot mechanical pencil on Fabriano paper, and the amount of time for each was not too relatively disparate. However, the difference in the results is clearly huge.Two main differences I noticed in the process were the lighting and my use of a tortillon. The top sculpture was much better lit; the second sculpture was lit by various sources including skylights, which made the resulting shadows muddy. Concerning the tortillon, the Fabriano paper I used is highly textured yet does not hold the graphite strongly, which makes it, ironically, and excellent paper for the use of a stomp or tortillon. The paper + graphite really beg for smoothing.
I have done many drawings without a stomp or tortillon but I felt unable to work without it in this case. I didn't want to resort to it for some reason; I wanted to achieve every effect with just my fingers and a pencil. I didn't use a stomp or eraser on the lower drawing, but by the time I got to the point you see above, I just felt it wasn't worth finishing. So I moved on to the other sculpture, and I like the results.
But I'm still not satisfied. I will post a drawing of the second sculpture and it will be finished and we'll see how it works. Maybe it will be on different paper so I don't feel as required to stomp. Any thoughts from you all out there?

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